• Nora

    In my first semester,
    I attended a workshop.

    Not many others came.
    I don’t know why.

    It was to learn about,
    and work with
    all of the many varieties
    of
    Crescent Illustration Board.

    For our consideration,
    they laid out different
    markers,
    pencils,
    pens,
    cray-pas,
    and whatever you can imagine.

    “Here,
    try this on this surface.”

    “If you don’t like it,
    try that on that surface.”

    “See what you like!”

    It was heaven to
    a broke youth
    that could not even afford
    schoolbooks.

    I got to play
    with so many fine things
    that I never thought
    I could afford.

    Since there were
    only a few students
    in attendance,
    the woman running it
    gave me all of her attention.

    She hovered over me
    as I made marks,
    testing different
    implements
    and papers
    and boards.

    She ooed and aahed.

    Gasped,
    as I made
    a dramatic swipe.

    She carefully examined the
    mark making language
    I used to evaluate
    her materials.

    Other students there
    made
    little drawings
    of this or that.

    I just tested everything
    systematically,
    little scratches
    or broad strokes.
    Fast. Slow.
    Backwards.
    Held on the side.
    Pivot.
    It was really informative.

    At the end of the workshop.
    The woman packed up.
    She filled my school bag and pockets
    with anything I could carry.

    So many papers and boards
    and demo notebooks.
    Little 3-ring binders
    with every conceivable paper,
    labelled and numbered
    for reference.

    I told her I can’t accept this.
    Holding my hand up.

    “This Caran d’Ache graphite is 10 dollars, alone.”

    “Oh, you.”

    She just swiped her hand at me, smiling.
    Indicating I should take it.

    “These are all just demo products sent by the manufacturers.
    We have hundreds of everything back at the store.
    They keep sending it faster than we can get rid of it.”

    She told me
    when I go to
    Artist and Display
    that I should look for her.

    She instructed me to:
    Go up to the register
    and ask for Nora.

    “Don’t shop without me.”

    I was happy about this because…
    I didn’t like going to Blick,
    it was so…
    Corporate and stale
    and the prices…
    Eugh.
    But it was the closest to the school.

    I grew up going to Artist & Display.
    Like my father before me.
    It was the only art store I ever knew.
    Independent and a fixture
    in Milwaukee.
    Not to mention, a few blocks
    from my mom’s house.

    From then on,
    Nora was my first and only Patron.

    Whatever I needed,
    I would go to the store,
    ask for her.
    She would come out
    and hug me,
    and ask,

    What did I learn in school?

    Who were my professors?

    How did I like it?

    Am I having any problems?

    Are there any girls???

    Am I behaving?

    She would take my list,
    examine it,
    and walk me around the store
    picking out the items I needed.

    For everything on my list,
    she would add a handful
    of others in, too.

    Extra pencils.
    Extra sketchbooks.
    Pretty markers.

    She would go in the back
    and come out with
    another big bag
    of demo products.

    So many things.

    When we got to the register,
    she would insist
    that the employee
    ring me up and give me
    some discount
    on top of how generous
    she already was.

    It was amazing.

    She was so kind to me
    and helped me flower
    by giving me fine things
    that I would have never
    considered for myself
    because she said
    I deserve them too.

    Shame, the store
    went out of business
    after almost 80 years.

    After 2015, I never got to see Nora again.
    She was so kind to me.
    She was like
    my own Mother Goose
    making sure I had shoes
    before sending me on my way.

    September 15, 2013
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